Alex Berry is a set and costume designer for theatre, opera and film based in London. She trained at Bristol Old Vic Theatre School having previously studied at the Royal Northern College of Music and Koninklijk Conservatorium, The Netherlands, as a musician. She was recently nominated for best costume design for Intimate Apparel in the Whatsonstage awards and for Macbeth (an undoing) in the Drama Desk Awards, New York.

Her recent design credits include: Dido and Aeneas/Ariadne (English Touring Opera), Shifters (Cherry Lane/Duke of York’s); Victoria: A Queen Unbound (Watermill Theatre); Charley’s Aunt (Watermill Theatre); Not Your Superwoman (Bush Theatre); Intimate Apparel (Donmar Theatre); Chaos (LAMDA); Treasure Island (Lyceum Theatre, Edinburgh); Hansël Und Gretel (Royal Academy of Music); Trials and Passions of Unfamous Women (Clean Break/Brixton House);

Macbeth (an undoing) (Lyceum Theatre, Edinburgh); Every Brilliant Thing (Theatre by the Lake); A Matter of Choice (Panoptic Films); The Barber of Seville (Nevill Holt Opera); No Sweat (The Pleasance London); Don Giovanni (Nevill Holt Opera); The Rape of Lucretia (Royal Conservatoire of Scotland); Spring Awakening (Redgrave Theatre); Right Place Wrong Tim (Channel 4); A Tender Thing (The Theatre, Chipping Norton); Rabbits (Park Theatre); The Cunning Little Vixen (Royal College of Music); The Lighthouse (Hackney Showroom); Song of Riots (Battersea Arts Centre); The River (Brewery Theatre) and Blue Stockings (Tobacco Factory).

Associate designer credits include: Associate costume designer Game of Thrones (Royal Shakespeare Company); Associate designer Dr Semmelweis (Harold Pinter Theatre); Associate set designer The 47th (Old Vic).

As a visual artist, her worked was included in the Re:Imagining Musicals Exhibition (V&A) and has also been displayed at Fortnum & Masons, Manchester Art Gallery, Dulwich Picture Gallery and the Royal College of Art.